If only I could possibly advocate "As Above, So Below" much more extremely. It really is that rare situated-video clips film getting a robust concept, a memorably unusual fashion, as well as a great deal of energy to obtain rid of. It is also badly developed, and difficult to observe. Generally, that's not this kind of awful point with regards to B-horror movies, the type of category fare that effortlessly coasts on chutzpah on your own. On the other hand, the novelty of checking out an previously-confined space-subterranean Parisian catacombs-shot through a conspicuous fish-eye lens is merely so endearing. That's the biggest stumbling obstacle safeguarding against guests from taking pleasure in "As Above, So Below," a film that is as close as the newest terror films came to approximating the sense of the haunted-house fascination. The film's aggressive, Richard Simmons-deserving shakey-camerawork evokes "Saving Person Ryan"'s Omaha Beac
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